COMMERCIAL BROOKLYN ROASTING COMPANY PREVIOUS PROJECT NEXT PROJECT ARCHITECT Cypher Design PROJECT LOCATION Brooklyn Navy Yard, Building 123 PROJECT SIZE 16,000 SF PROJECT COST ​ SCOPE Full MEP design and construction administration services. HVAC, sprinkler, plumbing and electrical power design and construction administration When an established Brooklyn based coffee company decided to consolidate its roasting and shipping under one roof, they retained Morozov Engineering to help them bring their vision to reality. Founded in 2009 in a Brooklyn loft, artisanal coffee purveyor- Brooklyn Roasting Company- has consistently been ranked as top 5 coffee places in Brooklyn (Yelp), one of 10 best coffee shops on New York City (Gothamist) and best local brew of 2015 (Gothamist). BRC prides itself on sourcing locally grown, organic fair trade coffee beans. It is no surprise they decided to locally source engineering services as well. BRC came to Morozov because their previous consultant was not responsive to their needs and was too expensive. Brooklyn Navy Yard is a former US Navy shipbuilding yard spanning 300 acres on the East River in Wallabout Basin. Following its closure in the mid 60’s, the yard was re-opened in 1969 as an industrial park. Since 1989, the site has seen economic development spurred by the city’s investment. Today, more than 200 businesses operate at the yard and employ about 5,000 people. Brooklyn Roasting Company decided to take up a 16,000 SF space in the Navy Yard to consolidate its roasting operations. On most projects, clients come to their engineers with defined design criteria. In the case of BRC, the client did not know how to best program the their new facility. There were plans for an office, packing, roasting, and shipping and even performance space functions. Our engineers worked closely with the client and architect to learn BRC’s business model, ins and outs of a coffee roasting process and the client’s future plans in order to help the client define present and future performance requirements of the space. MOROZOV was retained to provide consulting, engineering design and construction administration services for BRC’s new facility. The project involved specialty HVAC systems for coffee roasting production plant. MOROZOV prepared documents for State Historic Preservation Office filing.

COMMERCIAL EAST 55TH STREET PREVIOUS PROJECT NEXT PROJECT ARCHITECT Fortebis Group . Issac Stern Architects PROJECT LOCATION East 55th Street Retail Store PROJECT SIZE ​ PROJECT COST 8,500 SF SCOPE Full MEP/FP design A full gut renovation of an existing commercial building for a premier retail brand.

COMMERCIAL CITY POINT TOWER PHASE ONE PREVIOUS PROJECT NEXT PROJECT ARCHITECT SCLE PROJECT LOCATION 7 DeKalb Avenue, Brooklyn NY PROJECT SIZE 270,000 sf PROJECT COST $ 110 million SCOPE Energy Code Progress Inspections City Point Tower 1 is one part of 1.8 million square foot development of new construction, including retail, residential, entertainment, and office space spurred by 2004 Downtown Brooklyn Plan. ​ The City Point project sits on City-owned property at a highly visible location along Flatbush Avenue and serves as a gateway to the Downtown area. Bordered by Flatbush Avenue, Gold Street, and Dekalb Avenue. ​ Tower 1 is a mixed-income 19-story 251-unit residential tower above a four floor retail podium.

COMMERCIAL ALEXIS BITTAR INC, INDUSTRY CITY PREVIOUS PROJECT NEXT PROJECT ARCHITECT ​ PROJECT LOCATION 88 35th Street, Brooklyn, Building 4, 6th Floor Industry City, Brooklyn PROJECT SIZE 12,000 GSF PROJECT COST $1,750,000 SCOPE Assisted client with negotiation of commercial lease term, provided full MEP design and construction administration services, carried out NYC Special and Progress Inspections Founded in 1988, Alexis Bittar INC. is the leading premium designer jewelry brand with a reputation for quality, craftsmanship and innovation. Described as “one of the most innovative jewelry designers of the 21st Century”, Alexis Bittar’s designs act as cult favorites of A-List celebrities including Cameron Diaz, Madonna, Lady Gaga, Alicia Keys and Whitney Houston; as well as influential fashion icons Iris Apfel and Karl Lagerfeld. In 2004, Alexis Bittar won the accessories council’s “Rising Star” award and became a member of the council of fashion designers of America. Alexis Bittar jewelry is featured in Nordstrom, Neiman Marcus, Saks Fifth Avenue and Bloomingdale’s. The Company also operates seven Alexis Bittar boutiques in New York, Los Angeles, San Francisco and Chicago. ​ Industry City (originally known as Bush Terminal) is a 16-building, 6 million square foot industrial complex in Sunset Park, Brooklyn that was founded in 1895 by Irving T. Bush. The twelve manufacturing buildings had been completed by 1918 and housed about 300 companies. For over eighty years, the complex served as one of the largest integrated cargo and manufacturing sites in the word. At its peak during the industrial height of the early 20th Century, nearly 25,000 workers went to work at the complex every day. Until 1974 Bush Terminal was an active port facility. Throughout the 1980s and 1990s, Bush Terminal housed the highest concentration of garment manufacturers in New York City outside of Manhattan. Today the complex is home to a wide range of tenants including 3-D printer maker Makerbot and the Brooklyn Nets. ​ MOROZOV was retained to provide engineering design and consulting services for Alexis Bittar’s new facility. Morozov’s team was brought in at an early stage of the process, during lease negotiations, to assist the architect and the client in formulating and developing a strategy that meets current and growing production needs. ​ The project involved a full floor gut renovation. The design incorporates mechanical ventilation system for jewelry making process and robust power distribution to all production work stations.

COMMERCIAL FASHION TOWER PREVIOUS PROJECT NEXT PROJECT ARCHITECT GRT Architects PROJECT LOCATION 135 West 36th Street, New York, NY PROJECT SIZE ​ PROJECT COST ​ SCOPE ​ GRT Architects recently completed the renovation and historic restoration of Fashion Tower, an Art Deco-era skyscraper in New York’s Garment District. The building was designed by Emery Roth, best known for his iconic pre-war residential towers including the San Remo and Beresford. Among the many buildings in what was once the epicenter of American clothing design and manufacturing, Fashion Tower is unique for its ornamental motifs referencing the apparel industry and for being occupied to this day by the garment trade. Motivated by the resurgence of the Fashion District and the building’s unique history, the current owner asked GRT Architects to restore the facade of the tower’s base while sensitively incorporating a contemporary lobby. ​ Guided by Roth’s original drawings archived at Columbia University’s Avery Library, GRT Architects restored the exterior of Fashion Tower to its original splendor. Earlier renovations obscured a figured sandstone facade with layers of grey stucco and destroyed intricate detailing at the entry. Into a restored carved stone archway, GRT Architects added a minimal all-glass entry set back from the line of the masonry. True to Roth’s intentions, this portal is once again flanked by polychrome terracotta panels with peacock motifs— symbols of apparel, elegance and style. These peacocks rejoin surviving ornament that include winged putti holding shears and draping fabric, and women admiring their reflections and clutching spindles. A delicate façade cleaning revealed a richly veined sandstone cladding and forensic paint analysis was used to bring the appearance of cast iron spandrels and window frames back to the original. Inside, GRT Architects extended Roth’s stylized celebration of the fashion industry with a double-height lobby clad in pleated calacatta marble and bronze-tinted aluminium. The geometry of the lobby wall nods to folds in fabric while the scale and material palette play on the delicate balance between imposing and intimate that is a hallmark of New York Art Deco. Off-site CNC fabrication and on-site handcraft was used to realize a contemporary design in a classic material. Drawing upon the building’s history to prepare it for the next hundred years of service, the renovation reasserts the importance of fashion and style in a dynamic neighborhood.

COMMERCIAL GALLANT BUILDING PREVIOUS PROJECT NEXT PROJECT ARCHITECT ​ PROJECT LOCATION ​ PROJECT SIZE ​ PROJECT COST ​ SCOPE ​

CULTURAL PS 122 COMMUNITY ARTS CENTER PREVIOUS PROJECT NEXT PROJECT ARCHITECT Deborah Berke Partners PROJECT LOCATION 154 1st Avenue, New York PROJECT SIZE 50,000 GSF PROJECT COST $ 32 million SCOPE HVAC design This project, for New York City’s Department of Cultural Affairs, transformed a five-story historic former public school to better house four arts groups and one community-service organization. Built in 1894, PS 122 was originally a public school (hence the name). Since the 1970’s the building has been inhabited by a non-profit collaborative, daycare center and an AIDS drop in center. The primary objective of this project was to bring the building up to code and upgrade the mechanical and fire protection systems. Additionally the building needed significant reorganization and alterations to its interior spaces. The design scope included addition at the roof, to connect the means of egress at the fifth floor. The project was required to meet LL86 requirements. Mechanical systems included: A packaged air-cooled modular chiller plant designed with an 18-degree temperature difference to reduce pumping and piping Variable primary pumping A dedicated outdoor air system (DOAS) with energy recovery and demand-based ventilation controls Sensible-only 4-pipe fan coils

COMMERCIAL AU CHEVAL NEW YORK PREVIOUS PROJECT NEXT PROJECT ARCHITECT Stephen Jacobs Group PC PROJECT LOCATION 79 Walker Street PROJECT SIZE 5,700 GSF PROJECT COST $ 2.5 million SCOPE assisted client with negotiation of commercial lease term, provided full MEP design and construction administration services, carried out NYC Special and Progress Inspections A gut renovation of cellar and ground floors in an existing landmarked building to accommodate a new restaurant. ​ Arguably the best burger in America is coming to New York. A diner-style bar and restaurant with a passion for eggs, Au Cheval elevates traditional diner fare. ​ Guests can indulge in dishes ranging from chopped chicken liver and roasted bone marrow, to traditional sandwiches, egg-focused entrees, and the signature cheeseburger. The dimly lit restaurant, designed with a vintage reel-to-reel soundtrack, will feature dark leather booths, dark wood paneling, and a zinc bar wrapped around the open kitchen. ​ The project involved a full floor gut renovation. The design incorporates variable air volume mechanical ventilation system for kitchen exhaust hoods totaling over 40 feet in length. INTERIOR DESIGNER Martin Brudnizki Design Studio

COMMERCIAL ROGERS AVENUE OFFICE BUILDING PREVIOUS PROJECT NEXT PROJECT ARCHITECT Z Proekt PROJECT LOCATION 1020 Rogers Avenue, Brooklyn PROJECT SIZE ​ PROJECT COST ​ SCOPE Full MEP/FP design

COMMERCIAL 2 BUSHWICK AVENUE PREVIOUS PROJECT NEXT PROJECT ARCHITECT ​ PROJECT LOCATION 2 Bushwick Avenue, Brooklyn PROJECT SIZE ​ PROJECT COST ​ SCOPE ​ 2 Bushwick Avenue is a 14,000 SF ground up retail and office building being constructed on a site of a former gas station and auto repair shop. The corner site sits in a prime location of a rapidly gentrifying creative hipster mecca. The developers were interested in attracting local nascent businesses by creating affordable flexible spaces. Before commencing with design, Morozov engaged with the owners and architects in the programming phase, to understand how the property will be positioned in the market and who will be the target tenants. The early-phase involvement informed the selection of suitable MEP systems. With careful system selection and sizing, the design team was able to strike a balance between considerations for the first cost, ease-of-use, flexibility and “curb” appeal to prospective tenants. ​

CULTURAL PARRISH ART MUSEUM PREVIOUS PROJECT NEXT PROJECT ARCHITECT Herzog De Meuron, Douglas Moyer PROJECT LOCATION 279 Montauk Highway, Water Mill, NY PROJECT SIZE 34,000 SF PROJECT COST $ 30 million SCOPE Full HVAC design (as design engineer at Buro Happold) “Inspired by the natural setting and artistic life of Long Island’s East End, the Parrish Art Museum illuminates the creative process and how art and artists transform our experiences and understanding of the world and how we live in it. The Museum fosters connections among individuals, art, and artists through care and interpretation of the collection, the presentation of exhibitions, publications, educational initiatives, programs, and artists-in-residence” Born in 1897 as the Art Museum at Southampton, it was established by a New York lawyer, Samuel Longstreth Parrish, to house his holdings of Italian Renaissance paintings and 19th-century plaster casts; both the building and the collection were given to the Village of Southampton after his death. In the 1950s a local philanthropist, Rebecca Bolling Littlejohn, chartered the museum as an independent entity, named it for Mr. Parrish, and endowed it with her own collection of American painting, rich in work by Impressionists like Chase and Childe Hassam, as well as local artists of the era, like Fairfield Porter and Larry Rivers. Once home to Jackson Pollock, Willem de Kooning and Roy Lichtenstein, among many others, the area has been an artists’ colony since the 19th century. Today’s residents, full time or seasonal, include Chuck Close, April Gornik, Eric Fischl, Ilya and Emilia Kabakov, and Donald Sultan, as well as many more lesser-known names. In 2005 the Museum purchased fourteen acres in Water Mill, New York, and the Board of Trustees selected the internationally celebrated architectural firm Herzog & de Meuron to design a new and expanded building there. Ground was broken in July 2010, and the 34,400 square-foot building opened to the public November 10, 2012. Drawing inspiration from local barn houses, Herzog de Meuron envisioned a single-story structure — 94 feet wide and 634 feet long — with the building’s galleries arranged in two rows along a central corridor, designed for flexibility, with temporary walls so that the size of the rooms can be adjusted. The building is covered by two parallel pitched roofs — one for each row — with north-facing windows that take full advantage of the soft northern light. The building doubled the size of the existing facility with 12,000 square feet of flexible galleries, including the first galleries dedicated to permanent collection. The museum includes educational and multi-purpose spaces, café and kitchen. The design incorporates administrative offices and onsite space for storage and care of the permanent collection. To support the architect’s vision for a clean minimalist building, all mechanical equipment was tucked away in the cellar and crawl spaces. As part of design team at Buro Happold’s New York office, Mr. Morozov conceived a geothermal heating and cooling plant that took advantage of high water table below the site. Geothermal water was pumped from 6 standing column wells, circulated through reversible heat pump chillers and dumped into 6 discharge wells downstream. The reversible chillers use ground source water to generate 45-degree water in the summer and 85-degree water in the winter. For even better energy efficiency the heat pump chillers were paired with displacement ventilation. Unlike overhead air supply, displacement ventilation air cools or heats the space with moderately cool or warm air. Custom air-handlers also were located in the cellar spaces. Air distribution was limited to building’s perimeter with supply ducts running in the oversized crawl space.

RESIDENTIAL 347 WEST END AVENUE PREVIOUS PROJECT NEXT PROJECT ARCHITECT Lamb & Rich PROJECT LOCATION ​ PROJECT SIZE ​ PROJECT COST ​ SCOPE MEP engineering design This Eclectic Renaissance/Revival building was designed with a limestone façade and gabled tile roof by famed architects Lamb & Rich as part of an original row of 14 houses in 1891. The home’s first owner was Charles F. Rand who made his fortune in the mining industry in Cuba and Spain. In the 1950’s, the property was converted to nine apartments, and now the new owners are converting back to a single family residence. The scope of the conversion included an additional set back fifth floor, with an elevator overrun, roof bulkhead, and copper and glass skylight atop it. The current three-story-tall projecting rear yard addition will be demolished and replaced with a four-story-tall rear yard addition. A Juliette balcony, clad in copper, will jut out just into the canopy of a 130- to 140-year-old cherry tree. This is Morozov’s third project along the historic West End Avenue ( 915 West End Avenue and 309 West 86th Street ) Morozov team worked closely with the architect to thoughtfully integrate new infrastructure into the existing historic shell. Morozov provided MEP engineering design and approval services for all mechanical, plumbing and electrical systems.